Joanna C. Valente is a human who lives in Brooklyn, New York, and is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (The Operating System, 2017), Xenos (Agape Editions, 2016) and the editor of A Shadow Map: An Anthology by Survivors of Sexual Assault (CCM, 2017). Joanna received a MFA in writing at Sarah Lawrence College, and is also the founder of Yes, Poetry, a managing editor for Luna Luna Magazine and CCM, as well as an instructor at Brooklyn Poets. Some of their writing has appeared, or is forthcoming, in Brooklyn Magazine, Prelude, Apogee, Spork, The Feminist Wire, BUST, and elsewhere.
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Jessica Jones has none of the trappings of the traditional female superhero.
Read MoreSelfie Appeal: Marvel’s Jessica Jones and The Diary of a Lost Girl
To ‘selfie’ is to gaze back at anything oppressive. A selfie can be a purposeful, artful trick of perception, a stylized narrative that we create. We post our best or most expressive images after multiple attempts, filtered and framed and cut. The gaze that defines us pushes us into a corner, and the selfie pushes back, gazes back.
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