Pan’s Labyrinth (2006
Thus, these films below present young women creating an alternative reality to the limited structures or paths enforced upon them. These protagonists often find themselves willingly entering a rabbit hole, so to speak, to freely explore the nuances of their selves. Through magics within the self, these protagonists return to the familiar world ready to assert their narrative.
Read MoreUnder the Skin is like a celluloid skin that you crawl inside of. It is the most intimate role that Scarlett Johansson has taken on. Her skin is the film’s skin. She is an alien in a strange land, but the audience is right there with her. The intimacy is palpable and almost claustrophobic. There is very little dialogue to disrupt the experience of seeing the world through her eyes.
Read MoreThis film is tragic and dark, but it is also unapologetically romantic. It meanders and it unfolds in a dreamlike fashion; moments follow each other, sometimes rushing and stumbling over one another, sometimes lingering and lasting endlessly as the sun sets like a bloody orange into the sea.
Read MoreThe message of Sofia Coppola’s Marie Antoinette is a dark one. Being a woman is a double edged sword. On the one hand, you are everyone’s most valued possession. You are the vessel of life. Women are coddled and protected and kept in a state of infancy. The fantasy of being a little girl forever, of being a princess, of being indulged, comes with the dark side of being trapped, manipulated, and repressed.
Read MoreThe wedding is the ultimate female fantasy of culmination, of dreams coming true, or true love cemented and bound forever in an elaborate ritual. The wedding, in a romance film would be the final scene. It would be the pinnacle. By beginning with the wedding scene Lars Von Trier makes sure that the film's trajectory goes downwards rather than upwards.
Read MoreThis is a film about a journey. The journey from childhood to adulthood. The transformation from art object to art maker. The shift from passive observer to active participant in the script of one’s own life. Nina must decide if she wants her mother to be the author of her life or if she is ready to take responsibility for her own choices and her own pleasure and fulfillment—as a woman, as well as an artist.
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I’ve been editing now for almost 25 years and editing is all I need. I always have great respect for what everyone brings to the film and I put a lot of emphasis on carving out all the love; may it be the script, the costumes, the cinema photography, make up, acting etc. I consider my work to be an interpretation of the script and of the work from other key contributors who are also interpreting the script and in doing so I'm careful never to lose focus on the director´s vision. In that sense I regard editing as a valuable part of the script writing.
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