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delicious new poetry
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
Nov 29, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
Nov 28, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
Oct 31, 2025
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
Oct 31, 2025
'poet as tarantula, poem as waste' — poetry by Ewen Glass
Oct 31, 2025
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
Oct 31, 2025
goddess energy.jpg
Oct 26, 2025
'Hotter than gluttony' — poetry by Anne-Adele Wight
Oct 26, 2025
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
Oct 26, 2025
amalfi coast

Traveling Solo: Tips for Embracing Beauty & Smart Planning

September 16, 2019

BY LISA MARIE BASILE

I wanted to write this after I’d returned from solo travel — not right after, and certainly not during — because I wanted to make sure the insights I’m providing aren’t either totally obvious (“Google the location first!”) or incorrect.

Last month, I spent a little over two weeks in Europe alone. It wasn’t the longest trip I’d taken abroad, but it was the most notable in terms of personal transformation. In the past, I’d gone to Mexico on my own for a while as part of a volunteer group (no, not a missionary group!) with a group of global volunteers. I was alone — and the only American — but I was surrounded by people, so there was no sitting in my thoughts. I’d bunked with two young women from Seoul and one from Quebec, and we’d stay up all night chatting and laughing. I remember experiencing overwhelming pangs of loneliness then, but I was so young and so concerned with ‘fun’ that I let the night and my new friends whirlwind me away from my inner thoughts.

But traveling alone is so worth it, so empowering, so revealing. It goes without saying that solo travel is a journey in more ways than one. It’s a sojourn of place and self.

On this past trip, I spent a few days in a little green village just outside Windsor, England and then I took myself to Sorrento. I flew into Naples (where some of my family is from) and then drove the hour and a half into the mountains, up to what felt like the very top of a mountain in Sorrento, to a tiny bed and breakfast (converted from a 7th century church) in a silent commune. Where I stayed had just a chapel, a tiny market — where I’d by water, mortadella and lemon beer — and two small restaurants. If you closed your eyes where I stayed, you’d hear a few birds, a barking dog, and the chatter of a few people down the road. No bars, no centro, nothing.

Looking out, you could see only blue — never knowing where the sea stopped and the sky began. Only knowing that out there loomed Vesuvius, and if she exploded you’d never escape. There was one single road down the mountain and into Naples — much of it through mountains. Let’s just say it makes you think. And that was the entire point.

But onto what I learned during my solo travels…

View this post on Instagram

Cannot believe it was just a week ago I was in this fantasyland ~ that actually exists ~. I confess it; despite the beauty and magic, my Italian trip was not easy; I was alone and I fell into the well in my mind. I became weak and vulnerable. I witnessed my shadow in full force. I was unable to get out of my head, mostly at night, alone. But I’m grateful for when the daylight hit, when I watched the birds and swam; by day, everything shifted and I fell in love with every street and shoreline and untouched alleyway. I essentially wrote an entire book while there (my @clashbooks novella), rewriting huge parts of it — which take place in the exact place I visited in Italy. So, despite the cruel summery slog through my deepest and darkest thoughts and anxieties while traveling alone (we don’t give enough credit to solo fucking travelers), it was everything and more—transformative and illuminating and generative. Even if I dragged myself through long nights. My forthcoming @clashbooks novella is the product of my being holed up in an Italian room high up in the mountains, all alone. Did you expect anything less dramatic from me? . #travel #wanderlust #travelphotography #positano #amalficoast #solotravel #solotravelling #solotravelgirl @solofemaletravel @solotravelblazing @travel__etc @sorrentoitalia @sorrentovibes @amalficoast_italy #travelblogger #travelgram #wanderful_places #naturephotography #italy #italia #campania #writing #writingcommunity #bookstagram

A post shared by lisa marie basile (@lisamariebasile) on Sep 4, 2019 at 9:42am PDT

Cover the logistical basics first and never, ever make assumptions about anything

Before I get into what I personally learned, here are some foreign travel basics. If you’re traveling to any location — even popular tourist destinations — you’ll want to ensure that you understand cultural basics and prepare for logistical issues. You can still be spontaneous (like me) and impulsive and do your due diligence.

Accessibility

Are there accessible routes, travel options or places where you’re going? If you’re a wheelchair user, how friendly is the area? If walking is difficult for you, are there many steep hills or roads? Is everything cobblestone? Are the restaurants and churches all up steps?

Here are some useful resources for people who want to learn more about accessibility-friendly cities and countries for travelers: Curb Free With Cory Lee (here’s his list of most accessible beaches in the world, for example) Nomadic Matt, and Wheelchair Travel.

Diversity

Important for women, people of color and non-binary or trans individuals: How does the culture treat marginalized identities? Is it safe for you travel in the area, and if not, what steps can you take to ensure safety? This a good starting point and website regarding this all-important issue.

Getting around

Learn a little bit of the language. This helps immensely. Just get a translation app on your phone and don’t be a afraid of using it.

Register your trip with your embassy before you go. If you are American, you can do this here.

Do this location have Uber or Lyft? If not, can you catch a train or bus — and do the buses come regularly and show up at the spot they say they will? This came up a lot for me, so be prepared ahead of time. I recommended googling specific questions. I got most of this useful information ahead of my trip via forums like TripAdvisor and Rick Steves forums (most of the time you can simply Google the question, find the forum link and read it versus signing up for the forum). You’d be surprised what you’ll find when you do a little Googling. Someone somewhere took the very bus you think you need or traveled the same itinerary as you plan to.

if you have connecting flights, where do you connect? Is the terminal huge and are there usually short connections? If so, can you learn a little bit about how that specific airport works? Many airports are equipped to handle short connections, but some are notorious for causing passengers to miss flights.

If you’re going swimming, for example, can you find free or public beaches ahead of time? Most beach or coastal tourist areas will peddle pricier beach tickets. Is the free beach unsafe? (Usually, I’ve found that they’re not).

Are the footpaths near your bed & breakfast or where you’re traveling safe?

Health

Can you drink the water from the tap or in fountains?

Is there a nearby hospital? Do pharmacies offer medication (in Europe, for example, most people go to a pharmacy). Is there a service that sends doctors to your hotel or bed and breakfast?

If you use a special kind of medication — like a biologic that needs to be kept refridgerated, or, say, insulin — are there special pharamacies where you can get medication? This is especially important for longer-term travel.

Money

What kind of money does the country take? Where can you get it without getting charged an arm and a leg? One rule of thumb is that you’ll usually get the worst exchange rate when you convert money at your bank or at one of those airport money changers. Only convert smaller amounts if you’re going to. I usually use my debit or credit card to get a better exchange rate — so be sure to ask your bank about a card that doesn’t come with a wild foreign transaction fee. Some of these cards actually reimburse foreign ATM fees, otherwise you could be paying a good amount every time you withdrawal money. I’d really suggest googling this sort of thing ahead of where you’re traveling.

Oh, and be sure to let your bank know when and where you’re traveling. Being hit with a freeze while abroad is no fun.

Look into tipping etiquette for the country you’re visiting. It differs place to place and according to each service (car drivers, hotel staff, waiters, bartenders).

Cultural etiquette

This goes a long and includes issues of diversity, race, and gender — but it goes beyond that. What are some general customs that must be remembered where you’re going? What’s considered impolite or left-field? How do people see tourists from different countries? What sort of local behavior might you consider “rude” even though it’s perfectly normal? Knowing this sort of thing is helpful because we have to de-center ourselves when we travel. We can’t enter every country or culture with a myopic us-centered lens. Not only will it sully you’re experience, it’ll keep you from personal expansion.

An example: Although this wasn’t a major issue, I was made to cover my shoulders in many churches throughout Italy and Spain. Say what you will about modesty, shame, religion and all of the other stuff bubbling under that boiling surface, but knowing this before I arrived was helpful. It’s a custom that I had to understand and accept if I wanted to see the churches. Period.

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On the way to Amalfi and Positano we pass Li Galli, also known as The Sirenusas — an archipelago of little islands surrounded by cerulean water. This is where Ulysses’s sailors were sought out by the sirens, thought to be named Parthenope, Leucosia, and Ligeia. They played the flute, the lyre, and of course, they sang. Their story goes back to the 1st century, sang, and another played the flute. They are mentioned in the 1st century by the Greeks. I imagine them as women-mermaids, although the sirens were also depicted as having a bird body with human heads. . In my bed and breakfast I stayed in the Parthenope room, decorated in light blue, gold, and ivory, and of course, as a water sign — Scorpio — this was initiatory, a blood welcoming. A ritual of water and lineage. I am a siren, a descendent of Parthenope, perhaps? 🌊🧜🏽‍♀️ Parthenope sadly was said to throw herself into the sea when she couldn’t please Odysseus with her siren song. Her body was found on the shore of Naples, where my grandfather comes from. Other stories say that a centaur fell in love with Parthenope, but Jupiter couldn’t have this — and so he turned her into the city of Naples, while the centaur became Vesuvius. And when Vesuvius couldn’t have her love, he would erupt. . Virgil wrote that Parthenope nurtured him. 💧

A post shared by lisa marie basile (@lisamariebasile) on Aug 26, 2019 at 1:31am PDT

Connect with the local mythology & poetry

In Sorrento, I visited the Costa Amalfitana, and it was a land of mythology and story — and researching it helped me connect to the sky, the sea, the land, and the people. In my piece on my personal travel experience, I wrote that I stayed in a room called Parthenope, one of the sirens that sung to weary sailors (and to Odysseus, who was said to not love her voice). After that, she was said to cast herself into the sea and whose body would become the city of Naples.

This watery mythology carried me through my trip (especially as a water sign), also giving me pause to reflect on the rich history of place and the magic of the sea where I swam and daydreamed and played.

Connecting with the local mythology not only lets you experience the space on a more profound and deeper level, it can clue you into cultural behaviors and beliefs.

And please — find a book by a poetry from the region you’re visiting. I may be biased but I believe that poetry speaks the language of the people. It expresses the nuance of the land, the heart of its people. Poetry also shares what the textbooks, headlines, and tourist industries sometimes don’t. Poetry is war and sex and food and god and soil and the grittiest of truths.

Read more: Traveling To Italy Alone: On Ancestral Work, Fear, and Solitude.

Keep a journal of your experiences

There are feelings, moods, realizations and reckonings that can’t be captured on camera. There are things you won’t want to share on Instagram. There are late-at-night ideas and feelings you’ll want to better understand later. Often time, as I say, a place slices a piece of you and keeps it for itself long after you leave. That shedding happens without us noticing it, but we get glimpses of it from time to time — and all of that is worth writing down. That moment of sorrow or loneliness or fear or exhilaration or pure and total elation? All worth capturing in your own words. A place sometimes becomes more and more real after we leave it; your notes and written memories may help you decide what that place really meant when you were too stuck within the eye of the storm to really decipher it.

Be open to chatting with the locals and other tourists, but know the difference between loneliness and being alone

One of the things I learned while traveling is that i frequently thought I felt “lonely.” I was alone, yes, but I wasn’t truly lonely. I think of the generous Italian family who made me pasta and invited me to sit with them at their family table when I arrived to my bed and breakfast during siesta — without any food and no place to go to eat. I think of the Irish family who had me sit with them during a visit to a local farm at which we were plied with pasta and wine after the tour. I think of the English tourists who gave told me the best spots to see in Capri as we jumped into the sea during our boat tour. I think of the sweet young women who waited on me every night at one of the two restaurants on our little hill — who, by night three, practiced their English with me and let me speak to them in Italian. I think of the time we broke down on the mountain side coming back from Positano. I was with a group of Spanish tourists who cracked a few beers and chatted with me about global politics (and then offered to buy my book!) as we waited for a new car to pick us up.

How beautiful. Talk. Ask questions. Introduce yourself. Be open and receptive. The world is an empathic and naturally generous place if you show some vulnerability.

Be present

Listen to the birds. To the wind. To the sea. To the traffic. To the dialects. Listen to your own heart beating. Try and take a few moments each day not to experience everything and collect as many tourist stops as possible, but to be inhabited by and inhabit the spirit of the location. Let it seep into your blood and change you. Breath into the country and keep it there. All the spreadsheets and photos and Instagram poses won’t matter years from now. What will matter is how you remember the light, how the wine ran through you, how the birds seemed to follow you wherever you went.

Set an intention for your trip

Even if your intention is open-ended — to learn something new about yourself — an intention can turn your trip into a ritual itself. Acts of exploration, waking up, talking to new people, traversing new roads, trying new wines or foods all become sacred, parts of a pathway toward your intention. My intention for my last trip was to write — to get into a space where I was fully inhabited by peace and free time and my purest sense of self. And write I did — I finished my Clash Books novella. Somehow. Travel is magic.

In Place, Lifestyle Tags travel, solo travel, italy, sorrento, lubra casa relax, costa amalfitana, positano, amalfi coast, traveling, world travel, travel tips
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One Change That Transformed My Bedroom Into A Spectacularly Sacred Space

September 10, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017). Her work has appeared in dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.

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In Lifestyle, Wellness Tags rituals
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Weekly Mantras For Badass Witches

September 9, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017). Her work has appeared in dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.

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In Lifestyle Tags astrology
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Weekly Mantras for Badass Witches

September 3, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017). Her work has appeared in dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.

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In Lifestyle Tags astrology
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Weekly Mantras for Badass Witches

August 28, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.


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In Lifestyle Tags astrology
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3 Must-Have Products In My Magical Makeup Routine

August 23, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.


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In Lifestyle Tags beauty
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The One Crystal I Always Keep In My Bedroom

August 22, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.


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In Lifestyle Tags crystals
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Weekly Mantras for Badass Witches

August 20, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.


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In Lifestyle Tags astrology
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Weekly Mantras for Badass Witches

August 13, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.


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In Lifestyle, Magic Tags astrology, Zodiac
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Weekly Mantras for Badass Witches

August 5, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.


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In Lifestyle Tags astrology
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Weekly Mantras for Badass Witches

July 30, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.


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In Lifestyle Tags astrology, horoscopes
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4 Midsommar-Inspired Beauty Tips

July 25, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.


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In Beauty, Art, Lifestyle Tags midsommar, movies, film, Makeup
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Powerful Mantras for Badass Witches

July 23, 2019

Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017).  Her work has appeared in  dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.

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In Wellness, Lifestyle Tags magic, astrology
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'Trans Monogamist' Is the New Web Series You Need to Watch

July 8, 2019

Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams, The Gods Are Dead, Marys of the Sea, Sexting Ghosts, Xenos, No(body) (forthcoming, Madhouse Press, 2019), and is the editor of A Shadow Map: Writing by Survivors of Sexual Assault. They received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes Poetry and the senior managing editor for Luna Luna Magazine. Some of their writing has appeared in The Rumpus, Them, Brooklyn Magazine, BUST, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente / FB: joannacvalente


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In Lifestyle Tags LGBTQIA, tv, web series, joshua byron, alfredo franco
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The Astrolushes Podcast: Skeptics, Cosmic Lessons, & Authenticity

June 13, 2019

Astrolushes is a podcast at the intersection of astrology and literature, ritual, wellness, pop culture, creativity — and, of course, wine. Expect guests, giveaways, & games — and get ready to go deep with us.

The water-sign hosts are Andi Talarico, poet, book reviewer and Strega (@anditalarico) & Lisa Marie Basile, poet, author of Light Magic for Dark Times, & editor of Luna Luna Magazine (@lisamariebasile + @lunalunamag). You can the astrolushes on Twitter, too, here.

Screen Shot 2019-06-13 at 4.35.28 PM.png Screen Shot 2019-06-13 at 4.35.45 PM.png Screen Shot 2019-06-13 at 4.36.00 PM.png

LISA MARIE BASILE: Let’s chat about the birth of AstroLushes! I think it sort of started on a drive we took to Salem, MA, where we witched out for a weekend and visited HausWitch for my Light Magic for Dark Times writing workshop. In the car, I threw celebrity and literary names at you and had you guess their big 3 signs. You were amazingly on point! I'm wondering, besides having fun with it, what do you personally think the 'use' or 'reason' for this astro-knowledge is? I think people are generally fascinated, but we both know there's more to it.

ANDI TALARICO: That road trip and our time in Salem definitely feels like the genesis of this show! It started with us guessing celebrity's charts and now it's just a part of all of our conversations. I feel like now we're constantly wondering about writers and actors and philosophers through the lens of their astrological placements. It's a fun game but I think it also allows for a possibly deeper understanding of the art and culture that we engage with.

And engagement was how I came to astrology. My mother always read our horoscopes from the paper when I was growing up; she's a mystical Pisces who has visited psychics, believes in prophetic dreams, and finds herself fascinated by the moon. I inherited a lot of my curiosity from her. But by age 12 our household had changed considerably and it became a harder place to exist and grow in. So it's no surprise to me, looking back, why that was the time I started studying astrology.

It was a way of making sense of the world. It also gave me an opportunity to talk to people about themselves (and to keep the focus off of myself.) It made me feel like I had some sort of agency, a voice, a new authority. Now, the language of astrology, to me, is less about telling people about themselves and actually, much like my tarot practice, using the themes and ideas as lessons that we can use to fully become our best, most authentic selves. That's where it crosses over into self-care as well.

How do you feel about people who think astrology is bogus, Lisa?

Astrology…much like tarot practice, uses the themes and ideas as lessons that we can use to fully become our best, most authentic selves. That's where it crosses over into self-care as well. — Andi Talarico

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LISA MARIE BASILE: I love that you say it's an engagement with everything around us. And that, as a child, it helped you navigate a very difficult world. It truly is a language we learn and then we speak, and that can bring people together in an instant. And it can help us focus on the many characteristics of ourselves. In my life, processing the trauma I've experienced through the filter of the Scorpio has been amazingly beneficial; I now look on it all as transformative, rather than destructive. 

It's also really interesting to give a name to the various inclinations and motivations for people's art or behaviors. Especially when you look at creative people, or really evil people, and you start seeing how many of them fit into a certain astrological sign, or element. It may not be scientifically proven, but that’s the sort of mystery and liminality that we derive meaning from.

I am a scientific person. I believe that reason, empirical evidence, and research is important. I live with a chronic illness, and I'm a health writer as a day job. It's important to me that information is disseminated accurately, or, say, that the injections I take have been proven both effective and safe, and that sometimes, you need medication over meditation, in order to heal.

At the same time — people need to know there’s more to health and wellness than big pharma. And there’s more to this world than what we can see. I think the zodiac allows us to approach the liminal, the intuitive, the subterranean. It does exist outside of 'objective science' and that's okay. It allows us to dive headfirst into the shadows of this world and our lives, and I think that's the key to the feeling whole — straddling both sides. Science has a place, but so does the esoteric. You can't prove love, but we all feel it. So, it's the same thing. Some things we just explore knowing that it may be obscure. I am grateful to be able to take part in the world from both stances. 

What do you think about how people can use the zodiac as a healing tool, or in daily ritual?

There more to this world than what we can see. I think the zodiac allows us to approach the liminal, the intuitive, the subterranean. It exists outside of 'objective science' and that's okay. It allows us to dive headfirst into the shadows of this world and our lives, and I think that's the key to the feeling whole — straddling both sides. Science has a place, but so does the esoteric. You can't prove love, but we all feel it. — LISA MARIE BASILE

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Sunday afternoons at home. 📸 by @michaelsterling

A post shared by Andi Talarico (@anditalarico) on Apr 7, 2019 at 10:18am PDT

ANDI TALARICO: I definitely look through several horoscopes during the morning to see what my day/week might bring me. I mean, the basis of horoscopes are transits, what the movement of the current celestial journey means in my zodiac placements, and I love that about horoscopes — how it's a constant reminder that everything changes, nothing stays still, and how cyclical life can be, for good or bad.

I like to look to the planets/celestial bodies and their assigned western astrological associations for greater personal meeting. Like, what does it mean to be represented, as I am, by the Moon? The Moon shines because it reflects the light that is given to it. I feel the same way, again, for good and bad. I also shine brightest when I'm basking in the the light of stimulating conversation and affection. I turn inward and dark when I'm not given light to work with.

Also, since the Moon transits more often than other bodies, since it's constantly waxing or waning, it serves as a beautiful remind to keep pushing forward, that this moment isn't forever, to enjoy the view and perspective before it changes yet again. It's why I have a little crescent moon tattooed on my finger — my constant reminder that the only constant is change.

How do you feel connected or represented by Pluto, Lisa? Pluto is such a symbolically important planet of creative destruction, I'd love to hear your thoughts on that!

What does it mean to be represented, as I am, by the Moon? The Moon shines because it reflects the light that is given to it. I feel the same way, again, for good and bad. I also shine brightest when I'm basking in the the light of stimulating conversation and affection. I turn inward and dark when I'm not given light to work with. — ANDI TALARICO

LISA MARIE BASILE: Oh, that’s so beautiful! When you say, “I turn inward and dark when I'm not given light to work with,” I feel that in my core! I love the idea of this cosmic duality, how it represents the shadowy quietude and the display of light. It reminds me that we are all just star stuff. It’s why I started Luna Luna! 

It’s funny you mention the tattoo, because I have one that also reminds me that things change; it’s an ampersand. Maybe that’s why you and I are so drawn astrology? That it provides a foundation we can find stability in but the fluidity we need to always be growing.

I think the fact that Pluto has been considered a planet, a not-planet, an exoplanet and whatever else, is very beautiful—a perfect and living representation of Pluto as a symbol: it dies and is reborn, and yet it remains this beautiful archetype of transformation, weathering the storms of idea and rule and order. Could literally anything be more perfect? 

Pluto is my beautiful ruler, and I am indebted to its reminders. I have always been able to die and rise. I lean into the dark and then I die. I go into dark periods of change and emerge. I almost need it more than the light. But I suppose, that is my language. The darkness becomes a kind of light that makes sense. 

I think that’s the beauty of this cosmic story. No matter what you believe or feel skeptical about, astrology’s narrative, symbolism and reminder to explore the grandness of human emotion and circumstance is all splayed out up there. We just need to look up. 

What do you think about people who say they they believe in astrology and make Huge Life Decisions around it? Do you think it’s important to figure astrology into your day to day? Jobs? Dates? Etc? Or do you think it serves its best purpose as a tool for introspection, rather than a rulebook?

No matter what you believe or feel skeptical about, astrology’s narrative, symbolism and reminder to explore the grandness of human emotion and circumstance is all splayed out up there. We just need to look up. — LISA MARIE BASILE

ANDI TALARICO: LOVE this: "...Pluto as a symbol: it dies and is reborn, and yet it remains this beautiful archetype of transformation, weathering the storms of idea and rule and order. "

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wandering the streets, finding magic in Spanish taverns and wooden bars and long conversations and hanging flowers 💐 camera 📷 by either @lifestudies or @anditalarico

A post shared by lisa marie basile (@lisamariebasile) on Apr 15, 2019 at 8:50am PDT

As for me, I don't make huge life decisions based on astrology in the sense, that, say, I won't work with people of certain signs or judge them based on their natal chart. The idea of not dating this sign or that sign is a prejudice to me, and unfair. Even knowing someone's chart information is an act of intimacy — that's private knowledge — and to use it against someone or to think you know everything about a person based on it...hell no. Absolutely not.

Can it help you locate potential challenges? Yes, I believe that. Is is exciting when your synastry is in alignment and looks positive? Of course. But we're all much more than our natal charts. We're our upbringing, we're our ancestors, we're survivors, we're our good days and bad days, we're what we've been allowed to be and what we've rebelled against. Our zodiac signs matter but they don't make or break us.

I WILL make decisions based on transits and the moon's phases, though. Like, new beginnings during the new moon — that just makes sense to my entire being, both my physical and spiritual self. I definitely believe in harnessing the new energy at the start of a new zodiac phase — focus on good communication at the start of Gemini season! Make those spreadsheets in honor of Virgos everywhere! Get real sexy at Scorpio time!

But, would I, say, not send an important email when Mercury's in Retrograde? No, I try not to rely THAT heavily on astrology. I try to use it more as a guide and tool for learning than a strict rulebook. But...I also hate rules and authority in general. I naturally bristle against those who think they have the exact answers, at least in areas that don't involve exactitude and true yes or no areas. I'm a skeptical human, in many ways.

Is is exciting when your synastry is in alignment and looks positive? Of course. But we're all much more than our natal charts. We're our upbringing, we're our ancestors, we're survivors, we're our good days and bad days, we're what we've been allowed to be and what we've rebelled against. Our zodiac signs matter but they don't make or break us. — ANDI TALARICO



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In Pop Culture, Social Issues, Poetry & Prose, Interviews, Lifestyle, Body Ritual, Wellness Tags astrolushes
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